Finally, this Overview
Finally, this Overview
Introduction 15 September 2026, 10 am
Studio Caruso Archive, Various Authors, 2011-2026
In this last year of the Chair, we will look back with fresh eyes at fifteen years of research and design work. We will reflect on our archive, the collective endeavour of around a thousand students, and see what happens when the Palais Royal meets Sophie Calle, and when the Bank of England meets Theaster Gates. With invited collaborators and using new tools, this year we will take full advantage of finally having this overview.
This semester we will work on a large site in Zurich that while part of the city’s public infrastructure has always been a territory with limited public access. A place where the slaughter of animals and the distribution of meat will soon end, and public conversations within the local neighbourhood have already begun about imagining the future of this place. The city is assessing the heritage values of the site, and its economic and programmatic potential. For us, the future of the Schlachthof is an opportunity to heal the difficult karma of the site and to imagine what the civic could mean in a future when different actors, and not just humans, are given agency, where diverse ideas of programme and not just those of production, are allowed to flourish. We are interested in arranging the site in looser and more iterative ways so that new uses and constituencies can be accommodated as they emerge as part of an ongoing process. The mosque, the hospice, the caravanserai were places of care and exchange where society would both arrange and represent itself, where space became civic. Can we imagine the grand hall, the access yards, and the warehouses of the Schlachthof becoming locations for pleasure, care, propinquity and for the enactment of new kinds of civic life in Zurich.
Construction and writing as integrated disciplines are included in this course.
11 September 2026, 11:00 am, Pierre Huyghe Exhibition, Fondation Beyeler
15 September 2026, 10:00 am, Studio Introduction, ONA E30
HS 2026, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Anna Clocchiatti, Florian Kilian Jaritz
The City in the City
Seminar Week: October 19–23, 2026
İstanbul, Matrakçı Nasuh, 1537
Byzantium, Constantinople, Istanbul… all cities whose complex histories can still palpably be felt as part of the present. An ever-expanding settlement, this was the capital for three empires, both trade route and centre. For much of its history this has also been a place of diversity and tolerance, a place with many languages that welcomed foreigners to become part of its heady demographic mix.
We will travel to these cities on the Bosphorus to visit both the sites of empire and the fleeting places of everyday life. With the guidance of local colleagues, we will engage with narratives that span the social, the political and the material, looking beyond the surface to understand how the present and the future are inextricably bound up with the residues of history.
Cost category C (501–750 CHF), 16 students. The fee includes accommodation, local transportation, two dinners, entrances and the reader. Travel to and from Istanbul is not included and must be arranged individually.
HS 2026, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Anna Clocchiatti, Florian Kilian Jaritz
Zurich Monuments
Final Discussions & Exhibition
May 27, 2026
Franck Ducotterd, Matteo Rezzonico, Nien-Hsin Lu
Wednesday, May 27th, Exhibition & Discussions, ETH Zürich, ONA E30, 09:00 – 18:00
Guests: Marianne Burkhalter, Susan Hefuna, Sam Porritt
The Pleasure in Small Things
Final Discussions & Exhibition
December 16, 2025
Tuesday, December 16th, Exhibition & Discussions, ETH Zürich, ONA E30, 08:00 – 19:00
Guests: Monster Chetwynd, Pierre Chèvremont, Tuukka Laurila, Nora Walter
Restaging – Reimagining: Exhibition and Discussions
October 15, 2025
Group A
Wednesday, October 15th, Exhibition & Discussions, ETH Zürich, ONA E30, 10:00 – 17:00
Diploma FS 2026
Architecture School
Dance Deck, Kentfield California, Anna Halprin 1954
The FAU (1969) designed by Vilanova Artigas was an expression of the radical Paulista architecture school of the 1960s, and Gund Hall (1972) designed by John Andrews had similar grand ambitions. The HIL building tells a very different story, accidentally becoming the department of architecture when the ETH administration decided it was best to remove architecture students from the city centre where they had become too involved in the youth protests of the 1970s. The ugly brown building has never been much of an expression of our school’s desires.
This semester we will use the diploma project to explore how the HIL building can be re-structured to be a base for the department, and a more hospitable and sustainable place to meet and work. Since it is unlikely that the present labyrinth could be improved by enlargement, our efforts will be to concentrate the existing, making it lighter, clearer and more flexible.
We will also study examples of more dispersed and non-institutional learning, like Anna Halprin’s Dance Deck and Thomas Hirschhorn’s Gramsci Monument, places that demonstrate how learning can be more flexible and responsive to both its students and to ever changing educational contexts. We will combine the idea of a central base with mutable cells, spaces in and around the city that can more closely engage with the diverse people and situations of Zurich and beyond. By working both with the centre and the non-centre, perhaps we can start to imagine an architecture school fit for the 21st century.
We will continue to collaborate with Newrope in three ‘rooms of entanglement’, workshops where content, process and place are considered in an expanded forum.
Preparation phase:
-study of alternative places of education and the preparation of journals that compile the sites, programmes and central qualities of these open and more flexible schools.
-preparation of glossaries of learning.
-preparation of atlas of the HIL building and of possible non-central sites for the future department of architecture.
Elaboration phase:
-development of specific design proposals that incorporate new programmes and ideas of learning for the new department of architecture.
Diploma, FS 2026, ETH Zürich
Chair Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso
Newrope
Ellena Ehrl, Freek Persyn
The Village
Diploma FS 2025
Remoteness and Identity
Diploma HS 2024
The Klausenpass, where the project is located, is very strongly impacted by the different seasons. Indeed, the road closure due to the winter snow covering of the 1948m asl pass makes the place very different depending on the seasons.
The project then seeks to create two different uses, interweaving the different conditions of the surroundings and answering challenges both in winter and summer. In summer, the main focus is to provide a platform dwelling people high up around the pass, providing cheap manpower for the local farmers working in the nearby alps.
In winter, the project otherwise very close to the road become completely isolated. The people that stayed and worked there during summer can stay in the same building, but in a very different environment. As a counterpart -and retribution- to the work accomplished during summer, guided skitouring outings are organized. This way of being compensated for the summer work allows a more economically accessible way to learn mountain sports.
In a more practical way, the building is dimensioned according the the workforce need of the farmers during the summer season. In winter, the building shifts in hibernation mode: since there is less need of rooms, the groups staying there are smaller. The bottom floor is then covered in snow, and is only used again the next spring.
IEA Lecture
All buildings are beautiful
October 9, 2024, 18:00
Adam Caruso
IEA Lecture Series HS 24
Practice What We Teach?
ETH Zürich, ONA, Fokushalle
A New Museum
Diploma FS 2024
The Memories of the House Museum is devoted to the domestic spaces of textile industry related housing in Ennenda, Kanton Glarus. This museum spreads all over the village, like a fabric of spaces, each giving a specific impression of a domestic space.
The main exhibition is located in the former industrial site of the Jenny factory in Ennenda. It is situated on the ground floor of a Hängeturm, a reconstruction of a historical local building typology, specifically created to dry freshly printed fabrics. The exhibition consists of 1:1 reconstructions of 19th century domestic spaces from Ennenda. Copying, relocating and rearranging the rooms allows to compare the conditions of dwelling between different social classes that were all involved in the textile industry. It is an attempt to revise the way the local history has been written and to counterbalance the inequality of documentation and preservation of local buildings and stories. The reconstructions are built in timber, each with one section as a plaster cast of the original space. The exhibition of physical spaces is accompanied by pieces of local oral history in the form of specific stories told over speakers.
The Museum spreads into the village and the interventions at Kirchweg are the most direct extension of the museum programme. The row of houses at Kirchweg is under heritage protection and despite having survived for almost two hundred years, some of the houses have started to decay after losing the uses of the ground floor spaces. Previously some of those spaces were used for commercial functions. The houses had stayed relevant because they had the necessary room for adaptation: physically in the form of extensions on the northern side, legally in the form the law. Today this adaptation is partly hindered by heritage protection. With my interventions I aim to find a method to adapt three of those ground floor spaces and to restore their former use, whilst providing a programme that is needed by the museum whilst also becoming a cultural and public space for residents of Ennenda.
Redesigning Museums
Diploma HS 2023
Re (Reframe, Rearrange, Repeat)
Paula Kiener / Samuel Giblin
FS 2023 Re (Reframe, Rearrange, Repeat)
Diploma FS 2023
FROM SELLING PRODUCTS TO PRODUCING SALES TO LIVING PRODUCTION
Cedric Leneveu
FS 2023 Labour Reframed
Reframe, Rearrange, Repeat
Diploma HS 2022
Re form
Victoria Balmer / Marvin Bienz
FS 2022 Re form
Reformierte Kirche Wipkingen
IEA Lecture
You cannot take risks without failing
March 15, 2022, 18:00
Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option
ETH Zürich, ONA, Fokushalle
Interim, forever
Raumbörse Sihlquai
Diploma HS 2021
In unmittelbarer Umgebung des Hotels Marriott entwichkeln sich in den 70er, 80er und 90er Jahren um und auf dem Platzspitz verschiedene Szenen. Züri brännt 1980. Das Marriott ist Teil des gescheiterten Infrastrukturprojekts Ypsilon und dem Milchbucktunnel. Welten treffen hier aufeinander, voneinander entkoppelt. Die Strategie des temporären Besetzens und Nutzens von Freiräumen in der Stadt wurde in der Jugendbewegung der 80er Jahren oft genutzt. Mit leichten Interventionen wird an unbeachteten Orten Unerwartetes geschaffen. Sie spielen sich in unterschiedlichen zeitlichen und räumlichen Grössenordnungen ab.
Women Writing Architecture
Website Launch
June 30, 2021
The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.
Making Plans for Living Together
Cohabitation
City as one living organism provides habitat for human and non-human being, they influence their abiotic environment and the environment in turn as well influence the biota.
Due to the urbanisation and monoculture soil usage, city becomes a refuge for wild animal. City should co-evolve with its environment, empower the nonhuman actors and define new typology for cohabitation.
Triemlifussweg is characterized as a „Siedlung Biotop“ connected Uetliberg and Cemetery Sihlfeld.
The these is an interdisciplinary research of sysnanthrope species and aim to develop a strategy of cross-species cohabitation.
Nora Schibli / Yagmur Kültür
FS 2021 Making Plans for Living Together, Zürich
Making Plans for Living
Caroline Dietlmeier / Sara Katharina Keller
HS 2020 Making Plans for Living, Zürich
Assisi, Giotto di Bondone
Re-Use Ciba
Luisa Overath
FS 2020 Re-Use Ciba, Basel
What is it worth?
Welche Heimat?
Petra Steinegger
HS 2019 Welche Heimat?
Society and the Image
Sascha Gsell / Thierry Vuattoux
HS 2019 Society and the Image, Zürich
Download Booklet
PDF 16 MB
Public Building
Christopher Smith / Jessica Cabrera
FS 2019 Public Building, Zürich
La Maison du Peuple, Jean Prouvé
Clichy, 1938
Hidden Interiors
David Moser / Oliver Burch
HS 2018 Hidden Interiors, Zürich
Palais Stoclet, Josef Hoffmann
Brüssel, 1911
The Ideal City
Elif Erez / Victor Stolbovoy
FS 2018 The Ideal City, Spreitenbach
Collage City, OMA
Ville Nouvelle Melun Sénart, 1987
Describing Beauty
Philipp Bosshart
HS 2017 Describing Beauty, Zürich
Ragamala
India, 1720
Structure and Society
Timon Ritscher / Feng Zhang
FS 2017 Structure and Society, Zürich
Centraal Beheer, Herman Hertzberger
Apeldoorn, 1972
Social Structure
Myriam Uzor / Raphael Hähni
HS 2016 Social Structure, Graubünden
Agriculture & Industry
Graubünden
